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The act of documenting : documentary film in the 21st century / / Brian Winston, Gail Vanstone and Wang Chi
| The act of documenting : documentary film in the 21st century / / Brian Winston, Gail Vanstone and Wang Chi |
| Autore | Winston Brian |
| Pubbl/distr/stampa | New York : , : Bloomsbury Academic, , 2017 |
| Descrizione fisica | 1 online resource (289 pages) : illustrations |
| Disciplina | 070.1/8 |
| Soggetto topico |
Documentary films - History and criticism
Documentary films - Production and direction |
| ISBN |
1-5013-0920-X
1-5013-0919-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | AN AGENDA -- 1. "A Much Hailed Triumph" -- 2. "The Shakiest of Foundations" -- 3. The Act of Documenting -- PART ONE: DIGITAL POTENTIALS -- 1. "A Walk in the Woods" -- Image: -- AUTHENTICITY: Indexing -- Evidence -- TRUST: Manipulation -- Judgment -- SAVVY: Inferences -- Probability -- 2. "A breath of fresh air for documentary" -- Kit: -- CONTRADICTION: Digitization -- Standards -- GLOBALIZATIONi: Proliferation-- Resistance -- 3. "Life as narrativized" -- Story: -- INTERPASSIVITY: Navigation -- Feedback -- Intervention -- HOMO NARRANS: Texts -- Stories -- SCRIPTRIX NARRANS: Challenge --Paths -- PART TWO: ACTUAL EFFECTS.... -- .... on THE FILMED -- 4. "To thine own self be true" -- Performing: -- APPEARING: Distrust -- Presentational Acting -- Representational Being -- BEHAVING: Performativity -- Casting -- 5. "Giving Voice" -- Co-creating: -- CONTROL: Engagement -- Empowerment -- CHANGE: Facilitating -- Embedding -- .... on THE FILMER -- 6. "To Make Space For The Un-Thought" -- Subjectivities: -- GENDER: Narcissism -- Auto -- Biography -- EMANCIPATION: Exclusions -- "Facts" -- 7. "Nous somme dans le bain" -- "We are implicated" -- Care: -- HARM: Involvement -- Consequences -- RIGHTS: Protocols -- Control -- .... on THE SPECTATOR -- 8. "You have to make up your own mind" -- Perception: -- EXPECTATIONS: Truth -- Omission -- ASSUMPTONS: Wow! -- Ostranenie -- 9. "When the lights go up" -- Reception -- OUTCOMES: Impact -- Engagement -- Research -- CONDITIONS: Autonomy -- Hazards -- MINUTES: THE ACT OF DOCUMENTING -- Considerations |
| Record Nr. | UNINA-9910150305003321 |
Winston Brian
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| New York : , : Bloomsbury Academic, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Animated realism : a behind the scenes look at the animated documentary genre / / Judith Kriger
| Animated realism : a behind the scenes look at the animated documentary genre / / Judith Kriger |
| Autore | Kriger Judith |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | Waltham, Mass. : , : Focal Press, , 2012 |
| Descrizione fisica | 1 online resource (224 p. ) : ill |
| Disciplina | 070.18 |
| Soggetto topico |
Documentary films
Animated films Computer animation Documentary films - Production and direction Animators Motion picture producers and directors |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-136-13005-5
1-136-13006-3 1-283-34810-1 9786613348104 0-240-81440-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Waltz with Bashir, Developing a Visual Style with Animation in a Documentary Chapter 2: Persepolis, How the Graphic novel was translated into an Animated Film Chapter 3: Ryan, Animator's decisions to use 3D as a storytelling tool Chapter 4: Chicago 10 Chapter 5: Sunrise Over Tianamen Square Chapter 6: Drawn from Memory Chapter 7: The Moon and the Son Interviews will include: Ari Folman: Oscar Nominated director of Waltz with Bashir David Polonsky: Art Director of Waltz with Bashir Marjane Satarapi: Oscar Winning Creator of Persepolis John Canemaker: Oscan Winning Director of The Moon and the Son Chris Landreth: Oscar Winning Director of Ryan and Director of the Spine. Many more interviews will be lined up with creative directors and animators involved in this projects. |
| Record Nr. | UNINA-9910457409903321 |
|
Kriger Judith
|
||
| Waltham, Mass. : , : Focal Press, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Animated realism : a behind the scenes look at the animated documentary genre / / Judith Kriger
| Animated realism : a behind the scenes look at the animated documentary genre / / Judith Kriger |
| Autore | Kriger Judith |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | Waltham, Mass. : , : Focal Press, , 2012 |
| Descrizione fisica | 1 online resource (224 p. ) : ill |
| Disciplina | 070.18 |
| Soggetto topico |
Documentary films
Animated films Computer animation Documentary films - Production and direction Animators Motion picture producers and directors |
| ISBN |
1-136-13005-5
1-136-13006-3 1-283-34810-1 9786613348104 0-240-81440-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Waltz with Bashir, Developing a Visual Style with Animation in a Documentary Chapter 2: Persepolis, How the Graphic novel was translated into an Animated Film Chapter 3: Ryan, Animator's decisions to use 3D as a storytelling tool Chapter 4: Chicago 10 Chapter 5: Sunrise Over Tianamen Square Chapter 6: Drawn from Memory Chapter 7: The Moon and the Son Interviews will include: Ari Folman: Oscar Nominated director of Waltz with Bashir David Polonsky: Art Director of Waltz with Bashir Marjane Satarapi: Oscar Winning Creator of Persepolis John Canemaker: Oscan Winning Director of The Moon and the Son Chris Landreth: Oscar Winning Director of Ryan and Director of the Spine. Many more interviews will be lined up with creative directors and animators involved in this projects. |
| Record Nr. | UNINA-9910781436903321 |
|
Kriger Judith
|
||
| Waltham, Mass. : , : Focal Press, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Animated realism : a behind the scenes look at the animated documentary genre / / Judith Kriger
| Animated realism : a behind the scenes look at the animated documentary genre / / Judith Kriger |
| Autore | Kriger Judith |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | Waltham, Mass. : , : Focal Press, , 2012 |
| Descrizione fisica | 1 online resource (224 p. ) : ill |
| Disciplina | 070.18 |
| Soggetto topico |
Documentary films
Animated films Computer animation Documentary films - Production and direction Animators Motion picture producers and directors |
| ISBN |
1-136-13005-5
1-136-13006-3 1-283-34810-1 9786613348104 0-240-81440-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Waltz with Bashir, Developing a Visual Style with Animation in a Documentary Chapter 2: Persepolis, How the Graphic novel was translated into an Animated Film Chapter 3: Ryan, Animator's decisions to use 3D as a storytelling tool Chapter 4: Chicago 10 Chapter 5: Sunrise Over Tianamen Square Chapter 6: Drawn from Memory Chapter 7: The Moon and the Son Interviews will include: Ari Folman: Oscar Nominated director of Waltz with Bashir David Polonsky: Art Director of Waltz with Bashir Marjane Satarapi: Oscar Winning Creator of Persepolis John Canemaker: Oscan Winning Director of The Moon and the Son Chris Landreth: Oscar Winning Director of Ryan and Director of the Spine. Many more interviews will be lined up with creative directors and animators involved in this projects. |
| Record Nr. | UNINA-9910809690103321 |
|
Kriger Judith
|
||
| Waltham, Mass. : , : Focal Press, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The art of nonfiction movie making [[electronic resource] /] / Jeffrey Friedman, Robert Epstein, and Sharon Wood ; foreword by Michael Fox
| The art of nonfiction movie making [[electronic resource] /] / Jeffrey Friedman, Robert Epstein, and Sharon Wood ; foreword by Michael Fox |
| Autore | Friedman Jeffrey <1951-> |
| Pubbl/distr/stampa | Santa Barbara, Calif., : Praeger, 2012 |
| Descrizione fisica | 1 online resource (264 p.) |
| Disciplina | 070.1/8 |
| Altri autori (Persone) |
EpsteinRobert P. <1955->
WoodSharon <1952-> |
| Soggetto topico |
Documentary films - Production and direction
Motion picture industry |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-54951-4
9786613861962 0-313-08453-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title; Copyright; Contents; Foreword; Acknowledgments; Introduction; Part One: Development; 1. The Idea; Where Do Documentary Ideas Come From?; What Makes a Good Idea for a Documentary?; Is the Idea Fundable?; What Are Funders Looking For?; Is It a Worthy Subject?; Is the Subject Important?; Has It Been Done Before?; Is It a Good Story?; Are There Strong, Interesting Characters?; Is There Conflict?; How Good Is Your Access?; Are There Strong Visual Elements to Tell the Story?; Case Study: The Times of Harvey Milk; Conclusion; 2. Research and Evaluate Your Subject
Read Everything, Talk to Everyone (within Reason)Rights and Licenses; Case Studies; Researching a Historical Film: Paragraph 175; Researching an Archival Film: The Celluloid Closet; Researching Storytellers; Archival Research; Researching an Observational Film: Crime & Punishment; Researching an Essay Film: Where Are We?; Using Research to Determine the Form: Common Threads; Conclusion; 3. Make Your Case: From Story to Proposal; Define the Story; Find the Story Arc; Write Your Film; Define the Storytelling Elements; Storytelling Tools; ""Objective"" Elements; ""Subjective"" Elements ""Directorial"" ElementsNarration; On-Screen Text; Reenactments; Music; The Proposal; Case Study: Paragraph 175; Case Study: Where Are We?; Outreach/Distribution Plan; Conclusion; 4. The Treatment; Case Study: Common Threads; Case Study: The Celluloid Closet; Case Study: Paragraph 175; Case Study: Taking HOWL from Documentary Treatment to Nonfiction Feature Screenplay; Conclusion; 5. Development Materials: The Budget and Sample Reel; Production Schedule; Case Study: Filming Common Threads; Budget; Budget Notes; Create a Sample Reel; Work with What You Have, Play to Your Strengths Case Study: The Sample Reel as a Creative Tool for The Celluloid ClosetConclusion; Part Two: Preproduction; 6. Financing; Development Funding versus Production Funding; Foundations; Broadcast Partners; Sales; Presales; Coproductions; International Opportunities; Pitch Markets; Individual Donors; Targeted Fundraising Campaigns; Fundraising Events; Cocktail Parties; Individual Supporters; Individual Contributions; Investors; Conclusion; 7. Casting the Nonfiction Film; Casting Criteria; How Do They Fit In?; Can They Tell a Good Story?; Casting Historians and Other Experts; Screen Presence PreinterviewsCase Studies; Casting an Interview-Driven Documentary: Common Threads; Casting a Vérité Documentary: Crime & Punishment; Pitfalls and Obstacles; Reluctant Storytellers: Paragraph 175; Celebrity Storytellers: The Celluloid Closet; Casting Actors for a Nonfiction Movie: HOWL; Casting Tools; Conclusion; 8. Legal Headaches: Releases, Rights, and Licenses; Personal Releases; Story Rights; Book and Magazine Rights; Music Rights; Footage and Photo Rights; Fair Use; Errors and Omissions Insurance; Case Study: Licensing Clips for The Celluloid Closet; Conclusion; Part Three: Production 9. Assemble a Team |
| Record Nr. | UNINA-9910465834803321 |
|
Friedman Jeffrey <1951->
|
||
| Santa Barbara, Calif., : Praeger, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The art of nonfiction movie making [[electronic resource] /] / Jeffrey Friedman, Robert Epstein, and Sharon Wood ; foreword by Michael Fox
| The art of nonfiction movie making [[electronic resource] /] / Jeffrey Friedman, Robert Epstein, and Sharon Wood ; foreword by Michael Fox |
| Autore | Friedman Jeffrey <1951-> |
| Pubbl/distr/stampa | Santa Barbara, Calif., : Praeger, 2012 |
| Descrizione fisica | 1 online resource (264 p.) |
| Disciplina | 070.1/8 |
| Altri autori (Persone) |
EpsteinRobert P. <1955->
WoodSharon <1952-> |
| Soggetto topico |
Documentary films - Production and direction
Motion picture industry |
| ISBN |
979-82-16-04965-4
1-283-54951-4 9786613861962 0-313-08453-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title; Copyright; Contents; Foreword; Acknowledgments; Introduction; Part One: Development; 1. The Idea; Where Do Documentary Ideas Come From?; What Makes a Good Idea for a Documentary?; Is the Idea Fundable?; What Are Funders Looking For?; Is It a Worthy Subject?; Is the Subject Important?; Has It Been Done Before?; Is It a Good Story?; Are There Strong, Interesting Characters?; Is There Conflict?; How Good Is Your Access?; Are There Strong Visual Elements to Tell the Story?; Case Study: The Times of Harvey Milk; Conclusion; 2. Research and Evaluate Your Subject
Read Everything, Talk to Everyone (within Reason)Rights and Licenses; Case Studies; Researching a Historical Film: Paragraph 175; Researching an Archival Film: The Celluloid Closet; Researching Storytellers; Archival Research; Researching an Observational Film: Crime & Punishment; Researching an Essay Film: Where Are We?; Using Research to Determine the Form: Common Threads; Conclusion; 3. Make Your Case: From Story to Proposal; Define the Story; Find the Story Arc; Write Your Film; Define the Storytelling Elements; Storytelling Tools; ""Objective"" Elements; ""Subjective"" Elements ""Directorial"" ElementsNarration; On-Screen Text; Reenactments; Music; The Proposal; Case Study: Paragraph 175; Case Study: Where Are We?; Outreach/Distribution Plan; Conclusion; 4. The Treatment; Case Study: Common Threads; Case Study: The Celluloid Closet; Case Study: Paragraph 175; Case Study: Taking HOWL from Documentary Treatment to Nonfiction Feature Screenplay; Conclusion; 5. Development Materials: The Budget and Sample Reel; Production Schedule; Case Study: Filming Common Threads; Budget; Budget Notes; Create a Sample Reel; Work with What You Have, Play to Your Strengths Case Study: The Sample Reel as a Creative Tool for The Celluloid ClosetConclusion; Part Two: Preproduction; 6. Financing; Development Funding versus Production Funding; Foundations; Broadcast Partners; Sales; Presales; Coproductions; International Opportunities; Pitch Markets; Individual Donors; Targeted Fundraising Campaigns; Fundraising Events; Cocktail Parties; Individual Supporters; Individual Contributions; Investors; Conclusion; 7. Casting the Nonfiction Film; Casting Criteria; How Do They Fit In?; Can They Tell a Good Story?; Casting Historians and Other Experts; Screen Presence PreinterviewsCase Studies; Casting an Interview-Driven Documentary: Common Threads; Casting a Vérité Documentary: Crime & Punishment; Pitfalls and Obstacles; Reluctant Storytellers: Paragraph 175; Celebrity Storytellers: The Celluloid Closet; Casting Actors for a Nonfiction Movie: HOWL; Casting Tools; Conclusion; 8. Legal Headaches: Releases, Rights, and Licenses; Personal Releases; Story Rights; Book and Magazine Rights; Music Rights; Footage and Photo Rights; Fair Use; Errors and Omissions Insurance; Case Study: Licensing Clips for The Celluloid Closet; Conclusion; Part Three: Production 9. Assemble a Team |
| Record Nr. | UNINA-9910791933103321 |
|
Friedman Jeffrey <1951->
|
||
| Santa Barbara, Calif., : Praeger, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The art of nonfiction movie making [[electronic resource] /] / Jeffrey Friedman, Robert Epstein, and Sharon Wood ; foreword by Michael Fox
| The art of nonfiction movie making [[electronic resource] /] / Jeffrey Friedman, Robert Epstein, and Sharon Wood ; foreword by Michael Fox |
| Autore | Friedman Jeffrey <1951-> |
| Pubbl/distr/stampa | Santa Barbara, Calif., : Praeger, 2012 |
| Descrizione fisica | 1 online resource (264 p.) |
| Disciplina | 070.1/8 |
| Altri autori (Persone) |
EpsteinRobert P. <1955->
WoodSharon <1952-> |
| Soggetto topico |
Documentary films - Production and direction
Motion picture industry |
| ISBN |
979-82-16-04965-4
1-283-54951-4 9786613861962 0-313-08453-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title; Copyright; Contents; Foreword; Acknowledgments; Introduction; Part One: Development; 1. The Idea; Where Do Documentary Ideas Come From?; What Makes a Good Idea for a Documentary?; Is the Idea Fundable?; What Are Funders Looking For?; Is It a Worthy Subject?; Is the Subject Important?; Has It Been Done Before?; Is It a Good Story?; Are There Strong, Interesting Characters?; Is There Conflict?; How Good Is Your Access?; Are There Strong Visual Elements to Tell the Story?; Case Study: The Times of Harvey Milk; Conclusion; 2. Research and Evaluate Your Subject
Read Everything, Talk to Everyone (within Reason)Rights and Licenses; Case Studies; Researching a Historical Film: Paragraph 175; Researching an Archival Film: The Celluloid Closet; Researching Storytellers; Archival Research; Researching an Observational Film: Crime & Punishment; Researching an Essay Film: Where Are We?; Using Research to Determine the Form: Common Threads; Conclusion; 3. Make Your Case: From Story to Proposal; Define the Story; Find the Story Arc; Write Your Film; Define the Storytelling Elements; Storytelling Tools; ""Objective"" Elements; ""Subjective"" Elements ""Directorial"" ElementsNarration; On-Screen Text; Reenactments; Music; The Proposal; Case Study: Paragraph 175; Case Study: Where Are We?; Outreach/Distribution Plan; Conclusion; 4. The Treatment; Case Study: Common Threads; Case Study: The Celluloid Closet; Case Study: Paragraph 175; Case Study: Taking HOWL from Documentary Treatment to Nonfiction Feature Screenplay; Conclusion; 5. Development Materials: The Budget and Sample Reel; Production Schedule; Case Study: Filming Common Threads; Budget; Budget Notes; Create a Sample Reel; Work with What You Have, Play to Your Strengths Case Study: The Sample Reel as a Creative Tool for The Celluloid ClosetConclusion; Part Two: Preproduction; 6. Financing; Development Funding versus Production Funding; Foundations; Broadcast Partners; Sales; Presales; Coproductions; International Opportunities; Pitch Markets; Individual Donors; Targeted Fundraising Campaigns; Fundraising Events; Cocktail Parties; Individual Supporters; Individual Contributions; Investors; Conclusion; 7. Casting the Nonfiction Film; Casting Criteria; How Do They Fit In?; Can They Tell a Good Story?; Casting Historians and Other Experts; Screen Presence PreinterviewsCase Studies; Casting an Interview-Driven Documentary: Common Threads; Casting a Vérité Documentary: Crime & Punishment; Pitfalls and Obstacles; Reluctant Storytellers: Paragraph 175; Celebrity Storytellers: The Celluloid Closet; Casting Actors for a Nonfiction Movie: HOWL; Casting Tools; Conclusion; 8. Legal Headaches: Releases, Rights, and Licenses; Personal Releases; Story Rights; Book and Magazine Rights; Music Rights; Footage and Photo Rights; Fair Use; Errors and Omissions Insurance; Case Study: Licensing Clips for The Celluloid Closet; Conclusion; Part Three: Production 9. Assemble a Team |
| Record Nr. | UNINA-9910819076403321 |
|
Friedman Jeffrey <1951->
|
||
| Santa Barbara, Calif., : Praeger, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
C.O.N.F.L.I.C.T. : an insider's guide to storytelling in factual/reality TV and film / / Robert Thirkell
| C.O.N.F.L.I.C.T. : an insider's guide to storytelling in factual/reality TV and film / / Robert Thirkell |
| Autore | Thirkell Robert |
| Pubbl/distr/stampa | London : , : Methuen Drama, , 2010 |
| Descrizione fisica | 1 online resource (469 p.) |
| Disciplina | 791.453 |
| Collana | Professional media practice |
| Soggetto topico |
Documentary films - Authorship
Documentary films - Production and direction Documentary television programs - Production and direction Documentary television programs - Authorship |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-4081-4539-1
1-4081-3907-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Title Page; Dedication; Table of Contents; Foreword; Acknowledgements; My Ango-American TV Dictionary; Introduction; 1 Characters And Concept; 2 Out of the Box and Scripts; 3 Narrative Drive and Filming; 4 Front and Editing; 5 Love and Managing Your Stars and Career; 6 Interviews And Commentary Writing; 7 Care and Getting The Programme on Air; 8 Timeline Title and Truth; The Hundred Rules of Television; Imprint |
| Record Nr. | UNINA-9910461697003321 |
|
Thirkell Robert
|
||
| London : , : Methuen Drama, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
C.O.N.F.L.I.C.T. : an insider's guide to storytelling in factual/reality TV and film / / Robert Thirkell
| C.O.N.F.L.I.C.T. : an insider's guide to storytelling in factual/reality TV and film / / Robert Thirkell |
| Autore | Thirkell Robert |
| Pubbl/distr/stampa | London : , : Methuen Drama, , 2010 |
| Descrizione fisica | 1 online resource (469 p.) |
| Disciplina | 791.453 |
| Collana | Professional media practice |
| Soggetto topico |
Documentary films - Authorship
Documentary films - Production and direction Documentary television programs - Production and direction Documentary television programs - Authorship |
| ISBN |
1-4081-4539-1
1-4081-3907-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Title Page; Dedication; Table of Contents; Foreword; Acknowledgements; My Ango-American TV Dictionary; Introduction; 1 Characters And Concept; 2 Out of the Box and Scripts; 3 Narrative Drive and Filming; 4 Front and Editing; 5 Love and Managing Your Stars and Career; 6 Interviews And Commentary Writing; 7 Care and Getting The Programme on Air; 8 Timeline Title and Truth; The Hundred Rules of Television; Imprint |
| Record Nr. | UNINA-9910790026603321 |
|
Thirkell Robert
|
||
| London : , : Methuen Drama, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
C.O.N.F.L.I.C.T. : an insider's guide to storytelling in factual/reality TV and film / / Robert Thirkell
| C.O.N.F.L.I.C.T. : an insider's guide to storytelling in factual/reality TV and film / / Robert Thirkell |
| Autore | Thirkell Robert |
| Pubbl/distr/stampa | London : , : Methuen Drama, , 2010 |
| Descrizione fisica | 1 online resource (469 p.) |
| Disciplina | 791.453 |
| Collana | Professional media practice |
| Soggetto topico |
Documentary films - Authorship
Documentary films - Production and direction Documentary television programs - Production and direction Documentary television programs - Authorship |
| ISBN |
1-4081-4539-1
1-4081-3907-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Title Page; Dedication; Table of Contents; Foreword; Acknowledgements; My Ango-American TV Dictionary; Introduction; 1 Characters And Concept; 2 Out of the Box and Scripts; 3 Narrative Drive and Filming; 4 Front and Editing; 5 Love and Managing Your Stars and Career; 6 Interviews And Commentary Writing; 7 Care and Getting The Programme on Air; 8 Timeline Title and Truth; The Hundred Rules of Television; Imprint |
| Record Nr. | UNINA-9910825077203321 |
|
Thirkell Robert
|
||
| London : , : Methuen Drama, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
